Flemish painter (b. 1739, Antwerpen, d. 1822, Bruxelles). Flemish painter and writer. He was the son of the flower painter Cornelis Lens (d after 1766) and studied first under Charles Ykens II (1719-53) and then under Balthazar Beschey. In 1756 he was awarded first prize at the Academie of Antwerp and in 1763 was appointed to the staff on the strength of his decoration (destr.) of the refectory of the Alexians at Lier. He also came to the attention of Charles Alexandre, Duke of Lorraine and Bar, Governor-General of the Netherlands  Related Paintings of LENS, Andries Cornelis :. | Floral, beautiful classical still life of flowers.030 | konung av Sverige | The Thames at Shillingford,near Oxford | Arab or Arabic people and life. Orientalism oil paintings 21 | Omnisciencia |
Related Artists:
Ernest Meissonier
Lyons 1815 - Paris 1891. French Academic Painter, 1815-1891. Lyons 1815 - Paris 1891. French Academic Painter, 1815-1891. French genre and military painter. His study of the Dutch masters was evident in his first Salon-exhibited painting, A Visit to the Burgomaster (1834). His small genre paintings are meticulous as to furnishings and costumes. Among Meissonier's battle scenes, chiefly of the Napoleonic Wars, are Napoleon I with His Staff (Louvre) and Friedland, 1807 (Metropolitan Mus.).
Maris, Jacob
Dutch, 1837-1899 was a Dutch painter, who with his brothers Willem and Matthijs belonged to what has come to be known as the Hague School of painters. Maris studied at the Antwerp Academy, and subsequently in Hubertus van Hove's studio during a stay in Paris from 1865 till 1871. He returned to Holland when the Franco-Prussian War broke out, and died there in August 1899. Though he painted, especially in early life, domestic scenes and interiors invested with deeply sympathetic feeling, it is as a landscape painter that Maris excelled. He was the painter of bridges and windmills, of old quays, massive towers, and level banks; even more was he the painter of water, and misty skies, and chasing clouds. In all his works, whether in water or oil color, and in his etchings, the subject is always subordinate to the effect. His art is suggestive rather than decorative, and his force does not seem to depend on any preconceived method, such as a synthetical treatment of form or gradations of tone. And yet, though his means appear so simple, the artist's mind seems to communicate with the spectator's by directness of pictorial instinct, and we have only to observe the admirable balance of composition and truthful perspective to understand the sure knowledge of his business that underlies such purely impressionist handling. Maris has shown all that is gravest or brightest in the landscape of Holland, all that is heaviest or clearest in its atmosphere for instance, in the " Grey Tower, Old Amsterdam," in the " Landscape near Dordrecht," in the " Sea-weed Carts, Scheven-ingen," in " A Village Scene," and in the numerous other pictures which have been exhibited in the Royal Academy, London, in Edinburgh (1885), Paris, Brussels
Thomas Doughty
1793-1856 Thomas Doughty (July 19, 1793 ?C July 22, 1856) was an American artist of the Hudson River School. "Gilpin's Mill on the Brandywine" attributed to Thomas Doughty circa 1827Born in Philadelphia, Thomas Doughty was the first American artist to work exclusively as a landscapist and was successful both for his skill and the fact that Americans were turning their interest to landscape. He was known for his quiet, often atmospheric landscapes of the rivers and mountains of Pennsylvania, New York, New England, and especially the Hudson River Valley. He taught himself how to paint while aprenticing for a leather manufacturer.